For Pixar’s latest feature, “Light- year,” director of photography Jeremy Lasky worked with production designer Tim Evatt and lighting DP Ian Megibben to establish the look of the CGI film. Together they decided it needed to be not only cohesive and clear but also cinematic. Read More...
You want to know what's not there? Michael Fassbender's face.
Yes, the entire premise of Frank revolves around Fassbender's character and how he's always wearing a giant paper-mâché head, and we assume that at some point in the movie we'll see Fassy's face. And we're not saying that he can only act when his face is shown on the screen. He's probably awesome in Frank, just like he's awesome in all his other movies. Read More...
The march to respectability sure hasn’t slowed the Shelbys down. Photograph: Robert Viglasky/BBC/Caryn Mandabach Productions Ltd/Tiger AspectThe march to respectability sure hasn’t slowed the Shelbys down. Photograph: Robert Viglasky/BBC/Caryn Mandabach Productions Ltd/Tiger AspectPeaky Blinders: episode by episodeTelevision & radioThe Shelby gang return – and their lives are as garish, glorious and overflowing with swagger as ever
Welcome back everyone. I make no apologies for the fact that Peaky Blinders is the garish, glorious show of my heart and this hugely confident opening episode, overflowing with swagger and coming across like the adrenaline-fuelled love child of Downton Abbey and Miller’s Crossing, only reaffirmed my adoration. Read More...